(no subject)
Feb. 4th, 2024 02:53 amTrying to explain why I think Arknights has to be gacha.
Normally, you have a story, and then you have fanfiction of that story. Fans watch a movie about Luke Skywalker, and one of them makes up a story about his secret edgy brother Shadow Skywalker, and another one makes a self-insert called Jack Skywalker, and you can take or leave any of these stories. They’re irrelevant to the movie.
If your story gets very popular, sometimes you pay fans to write official fanfiction for you. For Star Wars, this is Kyle Katarn and Jacen Skywalker and Admiral Thrawn and all that. But this is still “secondary canon,” ephemeral and skippable additions. Someone can read, say, a Darth Vader picture book without knowing what the Yuuzhan Vong are, because both of those things build off of the original in separate directions. They can readily contradict each other, and a new movie can contradict them all, sweeping them off the table and declaring them non-canon. Most people only care about the movies anyway.
Arknights can have underwater Bloodborne, which is barely related to mafia drama with wolf-girls, which is barely related to a hairdresser named Susie Glitter, and yet none of them are really “secondary.” They all fit together into a single coherent world. But how do you subsidize that sort of freewheeling expansion? When creating something that makes the minority of lore nerds like me happy, how do you get the majority of casuals to spend money? You give each new story desirable new gacha characters to whale for. People who wouldn’t give a shit about Susie are deeply invested in a global-range spellcaster, and people who aren’t interested in Texas still love to see her rain down stuns on surrounding enemies. The constant expansion of the roster permits the constant expansion of the world.
(You could argue that the Marvel Cinematic Universe also pulled off this sort of expansion, but do you really want to point to the MCU as a positive comparison?)
P.S. I just realized this is what I was talking about when I said Sentinels of the Multiverse is a beautiful impossibility. It imagines a decades-long comic book franchise that somehow maintained this single coherent world.
Normally, you have a story, and then you have fanfiction of that story. Fans watch a movie about Luke Skywalker, and one of them makes up a story about his secret edgy brother Shadow Skywalker, and another one makes a self-insert called Jack Skywalker, and you can take or leave any of these stories. They’re irrelevant to the movie.
If your story gets very popular, sometimes you pay fans to write official fanfiction for you. For Star Wars, this is Kyle Katarn and Jacen Skywalker and Admiral Thrawn and all that. But this is still “secondary canon,” ephemeral and skippable additions. Someone can read, say, a Darth Vader picture book without knowing what the Yuuzhan Vong are, because both of those things build off of the original in separate directions. They can readily contradict each other, and a new movie can contradict them all, sweeping them off the table and declaring them non-canon. Most people only care about the movies anyway.
Arknights can have underwater Bloodborne, which is barely related to mafia drama with wolf-girls, which is barely related to a hairdresser named Susie Glitter, and yet none of them are really “secondary.” They all fit together into a single coherent world. But how do you subsidize that sort of freewheeling expansion? When creating something that makes the minority of lore nerds like me happy, how do you get the majority of casuals to spend money? You give each new story desirable new gacha characters to whale for. People who wouldn’t give a shit about Susie are deeply invested in a global-range spellcaster, and people who aren’t interested in Texas still love to see her rain down stuns on surrounding enemies. The constant expansion of the roster permits the constant expansion of the world.
(You could argue that the Marvel Cinematic Universe also pulled off this sort of expansion, but do you really want to point to the MCU as a positive comparison?)
P.S. I just realized this is what I was talking about when I said Sentinels of the Multiverse is a beautiful impossibility. It imagines a decades-long comic book franchise that somehow maintained this single coherent world.