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Edit: I haven't added entries to this page for a long time, but I think it's worth keeping stickied, just as an introduction.

Any blog should start off by introducing its subject, but in theory, Utilitarianism is quite simple. It’s a theory of ethics under which you should take whatever actions will lead to the greatest happiness for everyone involved. There are no other rules or restrictions–just make as many people as happy as you can make them.

So to make this more interesting, let’s go over some of the things Utilitarians DON’T have.Read more... )
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I’m so sick of people lying that their favorite porn games have great stories and characters. This works pretty well as shock-horror, but the characters so far have one personality trait each, and the sexism is bad even by porn game standards.
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I briefly posted about how horror allows its protagonists to make mistakes you wouldn't usually see in other genres. I'd like to elaborate on that a little more.

I read a fantasy novel where the main character breaks a giant metal chain and nearly decapitates their love interest with it. No one is actually harmed. This is a typical fantasy novel mistake.

I watched a military movie where the main character shoots some civilians he thinks are enemies. This is a typical military movie mistake. I played a horror video game where the protagonist needs to cross a street, but no matter how long he waits, the cars never stop zooming past. He throws a dummy into the road so cars will stop. A driver swerves to avoid it, crashes into a lamppost, and dies.

Horror can have a main character who isn't even thinking about violence fuck up in a way that ends up with a body count.

(Okay, horror and also Tales of the Abyss. And tragedies like Romeo and Juliet, but tragedy as a genre is pretty much dead now.)
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It amazes me that we've developed a way to assign new meanings to any word, and we use it solely to reference sex acts and genitals. Take the people who referred to the movie Pocahontas as "Poke Her Hontas." "Hontas" isn't even a word, and yet it's taken as a given that this sort of sentence is sexual. Plural* confirms that it means "poke her breasts." And you can do this with almost any noun or nonsense word!

Most of the time when I read a post by an asexual person who doesn't understand what was sexual about some statement, the statement in question is along the lines of "poke her hontas."

*It's unusual to see this sort of redefinition for testicles unless it's set up in advance.

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The Owl House is fantasy-horror-comedy, which means the main plot is mostly fantasy-comedy, but there are a bunch of horror-comedy jokes that are never really addressed and would make the Boiling Isles look like an absolute hellhole if you took them seriously. This fic, The Angel of the Owl House, does its best to explain away or modify all these jokes so the setting becomes just fantasy-comedy. The one thing it cannot get rid of is all the cannibalism. It ends up just going "It's a different culture, and they do things differently. They don't kill wantonly, but eating what you kill is normal here."
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At this point, I’m willing to just throw out the concept of bad identities. Femboy? Whatever. Transracial? Who gives a shit. They never seem like as much of a threat as the people who want to purge bad identities.
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There’ve been plenty of orc raiders and orc soldiers, but I want to see orc settler-colonialists.
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DO NOT USE THE 'LOAD SAVE' OPTION WHEN RETRYING A BATTLE!

I have done a little troubleshooting and found that this bug is taking the player to the SAVE screen rather than the LOAD save screen. Any save file you attempt to load on this screen is actually being saved over rather than loaded.
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The guy who thinks he’s Sinestro captured the guy who thinks he’s Nagito Komaeda.
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There's a mechanic in one of the bossfights where if you drag part of the game screen off the edge of your monitor, enemies in that area will temporarily stop giving bonuses to other enemies. So you have the cursor that's stuck in the game window, and you have the cursor that only appears outside the game window, and good luck trying to get the two of them to cooperate with each other long enough for you to drag the game window around.

It's clever, it's stupid, and it's obnoxious to interact with. The signature traits of postmodernism.
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Watched a video on how great the character designs in Warframe are, and another on how shitty the designs in Nikke: Goddess of Victory are. Maybe this is weird of me, but I feel like the "sexy" robot designs in Nikke would be sexier if they leaned into just a little of the Warframe-style body horror. Painted-on pants? Nope, those are her actual metal legs. Crop top? Yes, but no belly button, because she was built, not born. Jiggle? The way it's animated looks shitty anyway, so make their metal bodies not jiggle at all. Make me feel like these are actual robots.
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”Hold the fuck up. I’m the fuckup. Please hold me” has interesting implications for “come the fuck on.”
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Inspired by Mishka the Great and Powerful, but also influenced by Arknights: I dislike super-advanced pacifist characters who refuse to intervene because they don’t want to be tyrants. To me, making a decision to ensure you don’t feel guilty is just as selfish as making a decision to ensure you profit, and when hundreds or thousands of lives are involved, you don’t matter in comparison. (I never watched Doctor Who.)
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The themes of this game are such Feo bait. Two-thirds of the endgame bosses are people who think that if they deny reality long enough and hard enough, reality will change and they won't have to deal with it anymore. To get the happiest ending for the hero, he has to discard every illusion that would make him feel better about his situation.
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Lovely game but would it have killed them to have like one sweaty sex scene. just saying i mean it's fine if they don't want that but you know i'm just saying like okay whatever forget it
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I am completely unequipped to understand Frank Bidart. I get the impression this poet’s a genius, but I can’t make the mental connections necessary to follow what he’s saying.

Below, a horrific poem about child sexual abuse and murder that clearly has something to say about it:

https://www.poetryfoundation.org/poems/50170/herbert-white
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When people talk about an actual person’s suicide and say AI made them do it, that’s one of the few times I’m like “Are you capable of experiencing shame? Is shame not something you feel when using a real death as ammo for this argument?”
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I feel like "fucked up" is measured logarithmically. You've got Winnie the Pooh, and you've got fucked-up work A, and they form what feels like a complete scale from 1 to 10. Then you've got fucked-up work B, and it makes A feel like a 1 in comparison, so the new scale goes from 10 to 100. Then fucked-up work C is 1000.

I'm not sure how many levels it goes through, and I'm not sure where the top is as far as fiction. Maybe one of the Guinea Pig movies? I think any fiction is a 1 compared to some nonfiction, though.

What really interests me is trying to find the lowest 10. What's the least fucked-up thing that makes some people go "This is 10 out of 10 fucked up; it can't get any more fucked up than this?" E.g. some people have a very strong reaction to any mention of cannibalism.
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There seems to be this gigantic divide in HDG fandom between people who want to stick to the “setting ethos” and people who don’t give a shit. E.g. I’ve seen noncon identity death that doesn’t seem like it’s challenging the setting or criticizing the setting. It seems like “this is what I want to write in any setting, so it’s what I write in HDG.”

TBF, what “shared universe” doesn’t contradict the first author’s “setting ethos”? Even central control like Star Wars isn’t a guarantee.

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